2010年1月6日星期三

Amants du Pont-Neuf, Les

"Amants du Pont-Neuf, Les", directed by Leos Carax, 16/10/1991, France.

The subway section impresses me most.

First, the sound changes her original trend.

And then, facing four entrances which look the same, they follow the sound and choose the "right" one with their own sense.

Keep following the guide from the sound.

She stop and hesitate as the sound disappear. The man lies to the woman, easily. Because the violist has already gone. He thought the whole story could be cleared away, since nobody left. It seems that nothing actually happened just now.

If there are no cigarette butts left as a clue. Perhaps she would believe him that there was a woman, not a man.


The whole truth is reflected in indirect things. Those clues could easily change people's minds when people are in the journey of discovery. If the clues vanish away, then how about the truth, the facts, or something originally exists? How could people know somthing by nothing?

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